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Goran Gus Nemarnik professional sculptor

Selected artist profile information for this contemporary Croatian Sculptor
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Sculptor Goran Gus Nemarnik professional sculptor
goran nemarnik

About Goran Gus Nemarnik

Goran Gus Nemarnik Started with Drawing and moved Via Jewellery Leather Rock&Wood Carving Until he discovered his Skill in Bronze
Sculptor Goran Gus Nemarnik professional sculptor
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Exhibition History of Goran Gus Nemarnik

2014 – Salona Art –Mali format
2013 - Grožnjan - Galerija Fonticus – Ritam
2012– Grožnjan - Galerija Fonticus - Vlasništvo sudbine
2012 – Rijeka – Galerija uraj Klović – samostalna
2012 – Krapina – 6.zagorski salon
2012 - Samobor 2.trienale autoportreta
2011 – Zagreb Galerija Kopjar – samostalna
2011 – Tivat (CrnaGora) Galerija Buća
2011 – Grožnjan Galerija Fonticus – Plavo / Blu /
2011 - Zagreb 46. Zg, salon
2009 – Zagreb – Galerija izidor Kršnjavi Nit koja nas povezuje
2009 – krapina – 5.zagorski likovni salon
2008 – Buzet – Zavičajni muzej – samostalna
2006 – Split - Galerija Ghetto – samostalna
2006 – Rijeka – Kortil – “Igra, a pravila - “
2006 - Trogir – Muzej grada – samostalna
2005 – Cakovec – Muzej Medimurja – “Ek-sistere “
2005 - Sharjah Art Museum, E. A. Artcard
2004 – Rijeka – MMSU – “Slika, gesta, materija”
2004 – Rijeka – Galerija OK – “Dizajn 80-tih u Rijeci”
2002 – Zagreb – 3. trienale hrv. Crteža
1996 – Split – Bienale malog formata
1995 – Rijeka – Mali salon – samostalna
1993 – Modena/Italija – Incontri internacionali d`arte e cultur
1988 – Zagreb – MUO Izlozba hrvatske tapiserije
1987 – Zagreb – 18. salon mladih
1986 – Zagreb – 21. Zg. Salon
1986 – Bratislava / Czeh – international exibition of applied art
1983 – Zageb – mladih

Goran Gus Nemarnik

Biography / CV of Goran Gus Nemarnik

Goran Gus Nemarnik`s art beginnings were by working collages of butterfly wings.That fascination returns in various forms now end then.

After high school enrolled in the Art Academy in Zagreb, which interrupt after some time.It was too boring, there were endless hours of drawing acts of elderly people and chairs. So he left and went living couple of years in Europe doing the art of surviving making little paintings,jewelry and black leather rock outfits.

Back in Croatia,in early eighties,he started using wood for sculptures,then combining it with leather, leather with metal, then allocated bronze that has become his main medium. Also worked with glass, bones and ceramic,as well as rejected objects that led to the use of the electronic trash in mid-nineties.Computer motherboards have proven to be very inspiring structure whence a separate issue eventually emerged.This project is called * Silence ++ * and deals with the invisible level of reality.Here,the sculptures are perceptible only in the base depicted as s bas-reliefs.

Most of these materials he still uses nowadays.

He held his first exhibition in 1983.

Experimented with sound and vision, found some kind of synesthesia a suitable way for merging music and visual dimensions.

Professional sculptor since 2000 when he became a member of Croatian Freelance Artists Association.

Artist Statement of Goran Gus Nemarnik

Always inspired by nature and human influence on the other hand, rather than the material itself,sometimes I start acting on half speed with only a brief idea and let my works develop and finish the story. I dive on breath through swoon for final shape.
All of my sculptures reflect an interest in texture. When pouring molten metal into the mold, his coarse sand surface sometimes hardens bronze in an unexpected way. On the other hand, it olso gives smooth parts similar to the glass. The contrast between these surfaces sets an intense moment on the sculpture and makes the whole process more erratic and challenging.
I am fascinated by simple facts of nature,the beauty and energy which reappears every time in another,particular way. The twig peak, the play of colors, the stone erosion.These are the origins with uncertain growth and finish.

Reviews of work by Goran Gus Nemarnik

Goran Nemarniks work remains on a trail of exploring the sculpting media. Using ready made objects author assembles interesting compositions, associating of the certain possible animals. Thus, in the author`s hands, something that is to be rejected and unusable becomes constructive new-content element, an ecological sculpture that confirms art as a magical skill ol illusionism. One can observe how the electronic solders and the green plate basis, once a part of an industrial product, become an excellent relief base to a spiral creature with the roe`s horns! Artist had joined apparently incompatible things and they have flashed within a simple and new combination; as if on stage, now illumined sculpture glitters with the thousands of small stars (solders), while a spring radiates unusual blueness.
Play with the rejected objects adds to the materials investigation. Fitting wavy-shaped golden triangle into a sliver circle of hacked edges with all-framing abrasive paper, author very subtly scrutinizes colours’ interrelation, relief gradatlon, always using rejected things. lt ls amazing how much a human eye is liable to a deception, and how the forms truly live reality-independent life. ln such a manner, investigating illusion as s phenomena relied on by a contemporary plastic art, author has set up interrelation between boards, colour and cut *solders* that give surfaces their ordered graphism.
One of the topics gladly sculpted by Goran Namarnik is fish. He posits those fishes on a stone pedestal, and they swim freely in space, in front of the beholders. Frequentty, those are bronze castings of the dangerous fish with a sharp fin (famous San Pietro fish). However, special beauty is possessed by the metal, unusual, round form with a hole instead or an eye, snort and chubby, form more reminding of a fish than actually describing it. In these authors uses a materilal`s structuralllty and applies simple intervention to instigate presumptions of the new art-forms. In such and those forms, Goran Nemarnik is the best.
New works’ series upon the theme of olives and fish fissils is a very interesting continuation of the authors’ sculpting investigation. Joining soft wood, whether of a naturally unfettered form or board- like, with the greenish insoldered bronze sceletons, author achieves certain provocation. These bronze-into-wood interventions are being read as the potential olives or fish fossils. However, primary is a certain tension stemming from the material*s conflict. ln a place where wood should have its life juices flow, a bronze streak stands out. Of course, this is
Realisation of the idea of man`s presence within the nature, of an eternal battle between transience and continuation, ofan antagonism between natural and artificial. Meanwhile, behind the materials’ tension there lies actually an excellant work of sculpting tarsia.
Branka Hlevljak translated by Majda Jurić

Qualifications / Education of Goran Gus Nemarnik


Price Range of Work

Goran Gus Nemarnik's work has a price range from £367 to £1,833

Mediums utilised

Goran Gus Nemarnik's work is found in the following materials:

Artwork Categorised

Goran Gus Nemarnik's work is found in the following categories on site:
Interior, Indoors, Inside Sculpture (5)
Aquatic Sculptures Fish / Shells / Sharks / Seals / Corals / Seaweed (5)
Sea Fish Sculptures (5)
Tabletop Desktop Small Indoor Statuettes Figurines Sculptures (3)
Other Aquatic Creatures Seahorse Star Fish Jellyfish Sea Urchins Sculptures Statues (3)
Animal Abstract Contemporary Modern Stylised Minimalist Sculptures (3)
Outsize, Very Big, Extra Large and Massive Sculptures (2)
Small / Little Abstract Contemporary Sculptures / Statues (2)
Marine Maritime Water Sea sculpture statue statuette (2)
Indoor Inside Interior Abstract Contemporary Modern Sculpture / statue / statuette / figurine (2)
Abstract Fish Sculptures (2)
Fantasy sculpture or Statue (2)
Figurative Abstract Modern or Contemporary Sculptures Statues statuary statuettes figurines (2)
Scarabs and Beetles Sculptures Statues statuette
Little Small Nude or Naked Girls Women Ladies Females Sculpture Statue statuettes Figurines
Stylized Animals Sculptures
Anger Frustration Rage Fury sculpture statue
Geometric Sculpture Statues statuary statuettes. Usually Abstract Contemporary Modern work
Mythical Sculptures
Religious Sculpture
Organic / Abstract Sculpture
Couples or Group Sculptures
Insect Sculptures, to include Bees, Ants, Moths, Butterflies etc
Beautifully Useful Functional Sculpture
Garden Or Yard / Outside and Outdoor Sculptures
Varietal cross section of Floral, Fruit and Plantlife Sculpture
Architectural Sculptures
Lesbian Lovers Sculptures
Friendship Friends chummyness Amicability Camaraderie Cordility Kindred Spirit
Christian Church Sculptures, Carvings Bas Reliefs Stained Glass and Statues
Indoor figurative sculpture
Miniature Sculptures, statuettes or figurines
Small Animal Sculptures
Carved Wood Sculptures
African Animal and Wildlife Sculptures
Fruit Sculpture
Minimalist Understated Abstract Contemporary Sculpture statuary statuettes
Modern Abstract Contemporary Avant Garde Sculptures or Statues or statuettes or statuary
Torsos Chests Females / Women / Girls / Damsels Sculptures Statues statuary
Donkeys Zebras Mules Asses and Unicorns sculpture / statue
Horse Head or Bust or Mask or Portrait sculpture statuettes statue figurines
Spiritual sculpture
Round Disk, Dish, Flat Circular Ring Shaped Sculptures / Statues statuette statuary
Primitive or Naive style Sculpture or Statuary
Buildings, Structures and Parts Statues or Sculptures
Sign of the Zodiac
Crucifiction Christian Cross Alter Piece sculpture Statues carvings Statues statuettes sculpture depicting the crucfiction
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"Sculpture is the art of the intelligence."
Pablo Picasso
Customer comment on 'Dog Fox' by Tessa Hayward
Dear Peter,
Enclosed is photo of my lovely fox, placed into an area which I`m developing as a small bluebell and white birch woodland. I`m absolutely delighted with the sculpture!
Would you please pass a copy on to Tessa (Hayward), with my thanks and very best wishes.

Mrs J. Gray, Hungerford Newtown, Berks, England, United Kingdom.